|
|
 |
 |
1984: London
- Air and Space Studio.
LONDON
1984 - La CARNIVALE - Drawings
In
1984 Gary Willis was awarded the Australia Council 'London Studio'
at the Air Gallery. These Carnival drawings become a 'what the
buttler saw' window into the dreams and disillusions of a one
man travelling circus.
'Willis is a Metaphysician in a frenzy' -
Elwynn Lynn - 'The Australian' 1985
|
 |
1990 -1998: London
- Europe
LONDON
1990 - 1998
From
1990 to 1998 Gary lived and painted under the patronage of Arthur Boyd
in Arthur's London residence at Parliment Hill. Introduction -
Arthur Boyd.
|
 |
1990
-1992: London - Amsterdam
VOICING
THE OTHER
A series
of paintings which cross the expressionist lineages of the German Expressionists
and Cobra groups with the Antipodeans and Angry Penguin painters, misappropriating
a wide range of themes, to voice notions of otherness. Text - David
Langsam
|
 |
1992
-1995: London
- Spain
DON
QUIXOTE
Late
1992 Willis took up an artist-in-residency with 'Delfina Studios' in
Spain. Working with the painterly vocabularies of 'The Flamenco School'
of Goya, to develop a series of paintings, drawings & etchings to
evoke the mythology of 'The Impossible Dream'. Text - Larry
Buttrose
|
 |
1995
-1998: London
- Venice - Saarbrueken
La
COMMEDIA
A series
of paintings based in the imagery of 'La Commedia del Arte' those artists
who stay alive by their wits singing for their supper. The Bips, Beppos
& Grocks, the Punchinellos & Pierrots, the Harlequins &
Columbines - 'Les Saltimbanques'. Text - Kate
Challis.
|
 |
1999
- 2004: Central Australia - Melbourne
VOST
- APPROPRIATING ANTIPODEAN TERRITORY
Returning
to Australia late 1998, Gary Willis began a series of paintings based
on the seminal Australian myth of VOSS; The European explorer who disappeared
into the 'Never-Never' of Aboriginal Australia in his bid to cross Australia
east to west in the mid-nineteenth century.
|
 |
1972 - 1982: The
Early Years: Australia - Japan - New York
'DIARY
of a DEAD BEAT MODERN ART TYPE'
Artist's
Book: The Early Years written and published in 2001. Introduction
- Dr. Anne Marsh. Philosophy to performance; the theoretical context.
An illustrated and personalised account of the artist's conceptual development.
|
 |
gary@gary-willis.com
The
complete website detailing all periods and aspects of his work - from
1972 to the present, from philosophy to performance and painting, including
video tapes and texts.
|