Ask about 'Diary of a DEAD BEAT MODERN ART TYPE'
www.mostxlnt.co.uk/willis
The Javelin Master's Assistant - detail

1984: London - Air and Space Studio.

LONDON 1984 - La CARNIVALE - Drawings

In 1984 Gary Willis was awarded the Australia Council 'London Studio' at the Air Gallery. These Carnival drawings become a 'what the buttler saw' window into the dreams and disillusions of a one man travelling circus.
'Willis is a Metaphysician in a frenzy'
- Elwynn Lynn - 'The Australian' 1985

New Moon

1990 -1998: London - Europe

LONDON 1990 - 1998

From 1990 to 1998 Gary lived and painted under the patronage of Arthur Boyd in Arthur's London residence at Parliment Hill. Introduction - Arthur Boyd.

Faith Nudging Fate

1990 -1992: London - Amsterdam

VOICING THE OTHER

A series of paintings which cross the expressionist lineages of the German Expressionists and Cobra groups with the Antipodeans and Angry Penguin painters, misappropriating a wide range of themes, to voice notions of otherness. Text - David Langsam

The Quixotic Don

1992 -1995: London - Spain

DON QUIXOTE

Late 1992 Willis took up an artist-in-residency with 'Delfina Studios' in Spain. Working with the painterly vocabularies of 'The Flamenco School' of Goya, to develop a series of paintings, drawings & etchings to evoke the mythology of 'The Impossible Dream'. Text - Larry Buttrose

El Cucuruchu

1995 -1998: London - Venice - Saarbrueken

La COMMEDIA

A series of paintings based in the imagery of 'La Commedia del Arte' those artists who stay alive by their wits singing for their supper. The Bips, Beppos & Grocks, the Punchinellos & Pierrots, the Harlequins & Columbines - 'Les Saltimbanques'. Text - Kate Challis.

VOST

1999 - 2004: Central Australia - Melbourne

VOST - APPROPRIATING ANTIPODEAN TERRITORY

Returning to Australia late 1998, Gary Willis began a series of paintings based on the seminal Australian myth of VOSS; The European explorer who disappeared into the 'Never-Never' of Aboriginal Australia in his bid to cross Australia east to west in the mid-nineteenth century.

Diary of a DEAD BEAT MODERN ART TYPE

1972 - 1982: The Early Years: Australia - Japan - New York

'DIARY of a DEAD BEAT MODERN ART TYPE'

Artist's Book: The Early Years written and published in 2001. Introduction - Dr. Anne Marsh. Philosophy to performance; the theoretical context. An illustrated and personalised account of the artist's conceptual development.

Strategies For Goodbye

gary@gary-willis.com

The complete website detailing all periods and aspects of his work - from 1972 to the present, from philosophy to performance and painting, including video tapes and texts.